LEONEL MOURA | A NEW KIND OF ART
The new paintings create by ISU are inspired in the Chinese writing.
The robot is provided with a list of radicals and a few characters to serve as the basis for the composition.
At start, when the canvas is white or mostly white, the robot writes something in a haphazard way.
After a while it detects these first lines, ending the initial random walk and concentrating in some areas of the canvas.
ISU artworks are unique.
THE ART ROBOTS
| 2001 | 2002 | 2003 | 2004 | 2006 | 2006 | 2006 | 2007 | 2010 | 2013 |
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| swarm | lego | artsbot | botme | isu | rap | dada | robotarium | baba | pro |
Since 2000 I have been working with artificial intelligence and robotics applied to art.
From the start my intention was to develop what can be coined “artificial creativity”
stemming from what is now largely accepted as “artificial intelligence”.
I believe to have demonstrated that machines,
since provided with a small intelligence and the ability to gather information by its own means (sensors),
can generate what can be easily seen as an “artistic behavior” originating pictorial compositions
not very distinct from those produced by human artists.
I discard the relevance of the lack of intentionality and consciousness in robots.
It is well known that in modern art history there are many examples of art movements and artists
that aimed to achieve precisely those goals.
Actually modern art is rooted on the exploration beyond common sense
reasoning towards the fields of subjectivity, experimentalism, randomness and more recently chaotic determinism and emergence.
Machines can in fact “do their own things” since, once the process is triggered,
the result is not only independent from the human that originate it as it is unpredictable.
This means that the product of “artificial creativity” is human at the start but nonhuman at the end.
These experiments also show that creativity is essentially a biological and evolutionary mechanism.
We find it in the behavior of all living organisms.
To accept the existence of nonhuman art has more to do with philosophy than with facts.
It must be taken in account that the broadening of the concept “art” is what modern art is really about.
Nonhuman art is just another (big) step.
LM